Play Along Piano

Tags

Baroque

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

Jazzy+Arabic+Baroque

SQUID

0:42	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Piano	23	15	1	5	100%
	14	11	1	2	71%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Electric Piano	23	15	1	5	100%
	14	11	1	2	71%
Bass Guitar	17	0	2	9	67%
English Horn	11	0	3	8	48%
Sitar	11	0	1	6	19%

'Praise my Soul, the King of Heaven' - Baroque Orchestration

tennickmusic

3:10	Est. Play Time
158	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
Oboe I	10	0	1	2	67%
Oboe II	7	0	0	3	66%
Continuo.	22	0	4	3	59%
Flute I	10	0	1	2	51%
Flute II	7	0	0	3	50%
Soprano amp;amp; Alto	11	21	1	2	49%
Tenor amp;amp; Bass	14	28	2	3	49%
Violas	6	0	0	2	41%
Violino I	10	0	1	2	41%
Violino II	8	0	0	3	40%
Violoncellos	13	0	2	3	39%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

HWV1A2N15 "Durchlauchtigste, darf ich"

edward.maurath

0:26	Est. Play Time
7	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Consalvo	8	0	1	4	100%
Continuo	6	0	0	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Consalvo	8	0	1	4	100%
Continuo	6	0	0	4	100%
Harp	13	11	1	4	88%
	6	0	0	5	88%
Harpsi	13	11	1	4	88%
	6	0	0	5	88%
Organo	13	11	1	4	88%
	6	0	0	5	88%

"Then free from sorrow" from "Samson," HWV 57, (1741)

edward.maurath

3:09	Est. Play Time
63	Measures
	1,039Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	53	4	4	89%
	18	15	1	4	90%
Harp Continuo	17	53	4	4	89%
	18	15	1	4	90%
Violoncello Continuo	17	0	1	4	90%
Violini 1	16	0	2	7	67%
Violini 2	17	0	3	8	67%
Contrabassi Continuo	15	0	1	4	59%
Violoncelli Continuo	15	0	1	4	59%
Philistine woman	14	0	3	5	56%

Sinfonia in G Major

edward.maurath

3:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	0	1	4	91%
	15	0	1	4	91%
Fagotto	17	4	1	4	91%
Oboe 1	13	0	1	4	91%
Oboe 2	11	0	1	5	91%
Viole	11	0	0	4	91%
Violini 1	13	0	1	4	91%
Violini 2	16	0	1	4	91%
Violoncello Continuo	15	0	1	4	91%
Contrabassi Continuo	15	0	1	4	83%
Violoncelli Continuo	15	0	1	4	83%
Corni G	11	18	0	5	67%
Corni D	11	15	1	5	35%

HWV56N49 - Then shall be brought to pass

edward.maurath

0:22	Est. Play Time
6	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC LH	15	22	1	7	100%
BC RH	16	29	2	7	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
BC LH	15	22	1	7	100%
BC RH	16	29	2	7	100%
Cello	6	0	1	3	100%
Contrabass	6	0	1	3	100%
Alto	6	0	0	4	83%

"Caro Amor" from "Il Pastor Fido," HWV 8, (1733)

edward.maurath

1:45	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
	13	0	1	5	95%
Contrabassi (Continuo)	13	0	0	3	95%
Viole 1	13	0	1	5	95%
Viole 2	13	0	1	5	95%
Violini 1	13	0	1	5	95%
Violini 2	13	0	1	5	95%
Violoncelli (Continuo)	13	0	0	3	95%
Cembalo (Continuo)	21	41	1	5	78%
	16	15	0	4	38%
Soprano as Mirtillo	9	0	0	5	44%

HWV56N47 - Behold! I tell you a mystery!

edward.maurath

0:29	Est. Play Time
8	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	10	12	1	5	100%
	12	10	2	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	10	12	1	5	100%
	12	10	2	5	100%
Cello Continuo	8	0	2	5	100%
Contrabass Continuo	8	0	2	5	100%
Viola	5	0	0	5	100%
Vln I	7	0	1	5	100%
Vln II	6	0	1	5	100%
Basso	10	0	1	3	88%

HWV56N37 - The Lord gave the word

edward.maurath

1:32	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	15	39	1	4	92%
	9	19	0	4	92%
Cello	12	0	0	4	92%
Violone	12	0	0	4	92%
Viola	10	0	0	5	88%
Vln I	16	0	1	7	88%
Vln II	16	0	1	5	88%
Bassi	11	0	0	6	84%
Tenori	10	0	1	6	84%
Alti	8	0	0	6	80%
Soprani	10	0	1	6	80%

HWV56N45 - I know that my Redeemer liveth

edward.maurath

7:27	Est. Play Time
164	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	17	69	1	5	98%
	14	35	2	7	98%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	17	69	1	5	98%
	14	35	2	7	98%
Cello Continuo	17	0	2	7	98%
Violini	21	0	4	8	74%
Soprano	12	0	2	9	66%
Contrabass	16	0	1	7	66%
Violoncellos	16	0	1	7	66%

HWV56N41 - Let us break their bonds asunder

edward.maurath

2:22	Est. Play Time
67	Measures
	1,190Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	7	2	0	4	6%
	22	1	4	7	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	7	2	0	4	6%
	22	1	4	7	100%
Cello Continuo	22	0	4	7	100%
Violone	20	0	4	7	100%
Viola	20	0	6	5	99%
Vln I	24	0	5	7	91%
Vln II	24	0	5	6	91%
Tenor	15	0	4	6	84%
Organ	15	40	4	6	81%
	13	19	1	6	70%
Soprani	15	0	4	6	75%
Alti	12	0	2	6	70%
Bassi	15	0	3	6	66%

HWV56N33 - Lift up your heads, O ye gates

edward.maurath

3:42	Est. Play Time
78	Measures
	1,474Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	21	0	3	7	100%
Violin II	23	0	4	7	100%
Violin I	23	0	3	7	99%
Tenor	13	0	2	7	86%
Alti	8	0	1	7	84%
Organ Continuo	20	4	4	7	81%
	21	1	3	7	83%
Cello Continuo	22	0	4	7	83%
Violone Continuo	21	0	3	7	83%
Soprani	11	19	1	7	78%
Bassi	15	0	2	6	74%